General recommendations when playing Chopin's works are familiar to most musicians.Firstly, for example, in the analysis of the piano works, first learn each hand separately.Do not handle the entire work at once rehearsed for 4-8 cycles.Just Keep all decorations, use the correct fingering.Play as much slower pace.
The waltzes, mazurkas of Chopin and other widely used standard accompaniment of the structure of the left-hand: bass - a chord - a chord (if chetyrehdolnyh sizes chord repeated three times).Therefore, the left hand is learning by playing with two: the left - only the bass, right - only chords.Make sure that the bass sounded clea
r and loud enough, and muffled chords.Fingering his right hand at the same time does not matter, and left fingers follow procedures exactly.
Trills in classical works are played with an emphasis on the first note of the three.In romanticism the focus shifts to the last note.So start playing trills and grace notes slightly ahead to a strong (or relatively strong) share coincided with the accent.
In romanticism was first used by the reception rubato (free pace).At certain points allowed (and sometimes required) slowing down or speeding to give a special emotion to the product.At these moments, not only pitch, dynamics, but also shows the voltage across the soul of music.
Read about the composer and about the particular product.In the context of the history of the given mood of the composer.Analyze the structure of melody, harmony, and tonality.Try to understand the author's opinion about what is happening.
reflected in the game and the spirit of the age of the author.In the era of Romanticism in all areas of art actively developing the theme of the inner world of the concrete, the average person (as opposed to the classic cult hero, power, people).Express yourself, communion with the composer.